Basic Electroacoustics II: Music-Making Systems |
Music G6602Y |
TueThu 3:10-5:00pm |
Spring 2004 |
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Professor: Douglas Repetto [douglas at music columbia edu] |
TA: James Fei [jamesfei at music columbia edu] |
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Our Motto: "Why, then how." |
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syllabus | lectures |
N.B.: This is not a class about learning to use software or hardware tools. You are expected to either have some experience with your tools or be willing to learn how to use them outside of class. Most students in BEII should have already taken BEI, which focuses on basic computer music tools, theory, and techniques. You are encouraged to experiment and to learn new ways of working in this class; just keep in mind that while the CMC can provide access to tools, learning to use them is your responsibility.
Discussions cover historical and contemporary uses of music-making systems in numerous disciplines, forms, styles, and movements, and the work of individual artists. Numerous short readings will be assigned to accompany the discussions.
Student research involves brief reports on student-selected topics related to the discussions. Student works are art projects proposed and/or created by individual students or collaborative groups based on a "commission" model that will be explained in class.
We will also have visits from a number of guest artists during the term.
Class discussion topics include:
systems & algorithms
human perception
generative art
bio-art
kinetics/sound sculpture
data sonification
improvisation
feedback
human-computer interaction
active/interactive/reactive installations
net.art
lecture
student research presentations
lecture
student works presentations
So each week we'll have one lecture and one batch of student presentations. That means that you'll do a presentation of either your research or your art work every week. The online lecture notes/schedule are here.
attendance: 25%
assignments: 25%
midterm project: 25%
final project: 25%
Come to class, do the assignments, do the two projects, and you have an A. Don't do all of that, and you don't have an A. Grading is purely mechanical, and does not involve the evaluation of your work.
This grading policy is designed to encourage you to stretch out and take chances with your work, as the success of your pieces is not related to your grade in the class.
http://music.columbia.edu/cmc/signup
The username and password will be given to you on the first day of class. You may do your work anywhere you like and use whatever tools you want. You are not required to use any particular software, hardware, techniques, equipment, etc. However, you will need to present your work regularly in class, so take that into consideration when deciding how and where to do your work.
(Have some fun!)